
Photo by Lauren Eliot
I am a director, administrator, and silly human. My work is heavily influenced by the Theatre-of-the-Ridiculous movement, camp, parody, clown, and midnight-cult-classic movies. I have assisted remarkable directors, including Cal McCrystal, Andrew Neisler, Knud Adams, Rory Pelsue, Josh Rhodes, David Muse, Candis C. Jones, Sivan Battat and others.
I have worked for a plethora of renowned arts organizations including: Ars Nova, Virgin Voyages, New York Theatre Workshop, Spiegelworld, Studio Theatre, Manhattan Theatre Club, Roundabout, Asolo Rep, The New Group, The Kimmel Center, Norwegian Cruise Lines, People’s Light, LifeJacket Theatre Company, and more! I am a SDC Associate Member and represented by the Michael Moore Artists Agency.
I create community by putting audiences through one-of-a-kind experiences.
Find out more on my ABOUT page!
Associate Director of SLAM FRANK
Our musical satire imagines what happens when a progressive community theater company decides, you know what, maybe now is not the time for us to center these privileged, straight, white European Jews (who spent three years in an attic, hiding from Nazis). And so, in an effort to make our world a better place, this heroic fictional theater troupe transforms Anne Frank’s true story into an intersectional, multiethnic, genderqueer, decolonized, anti-capitalist, hyper-empowering Afro-Latin hip-hop musical.
Member of New Georges Jam
Artist-led and collaboration-based, The Jam was founded in 2010 as a group for early-career playwrights and directors, and it’s sure been a kick to see it evolve to reflect how artists create now. This cycle, New Georges ecstatically welcomes a crowd of intergenerational iconoclasts making work in a multitude of theatrical disciplines.
“Emily Abrams’s staging bursts with vitality. This is a director unafraid to lean into theatricality with both boots: ”
Photo by Sofia Belhoari